Archive for the ‘creative’ Category

We did it all for the kids

Tuesday, February 10th, 2009

Team Sensis recently got up early one Saturday morning and excited the kids and client folks of the YAAO project with their intital creative concepts. Here are some photos that I took with my trusty phone.

*RK – Creative


Javi giving something for the kids to aspire to with his orange Princeton sweatshirt


Javi owning the stage with a performance that brings even JV to his feet


I’m convinced Javier was a professor in a former life.


Eric was clearly impressed with the creative work.

The Christmas Card Conundrum

Monday, November 24th, 2008

One of the most thankless tasks for any ad agency copywriter rolls around in late fall, when clients soon realize they must write some sort of universally acceptable holiday message to feature in their annual greeting. The great irony is that the job request usually comes titled as “Christmas Card.” Everyone at the agency refers to it internally as the Christmas card. Even the clients talk about it as the Christmas card. Yet we’re all forbidden from actually acknowledging the offending holiday on the card itself, or so the job specs imply. Typically, the job request goes something like this:

“Need to draft a holiday message for [INSERT CLIENT NAME HERE]. Cannot be holiday specific (don’t mention Christmas or Hanukkah). Please avoid any related iconography (no angels, bells, Christmas trees, menorahs, Santa Claus references). Avoid snow/winter imagery since we’re in Southern California. New Year’s references are acceptable, but please avoid standard ‘peace on Earth, goodwill to man’ messaging. Need something memorable, fresh, and original that is universally acceptable. Please reflect brand voice, tone and manner…” or words to similar effect.

Now, I consider myself a fairly decent copywriter. I’ve been in the business for over 16 years, writing successful ad copy for sizeable portfolio of Fortune 500 companies, the federal government and even international non-profits. However, I cannot, for the life of me, figure out how exactly to write a non-Christmas Christmas card. It’s like asking for a pepperoni pizza without the tomato sauce pepperoni and cheese.

Any suggestions?

Anyone?

Bueller…Bueller…

Javier San Miguel, Associate Creative Director

The Science of Storytelling

Thursday, June 5th, 2008

“The Science of Storytelling”, mhh … sounds wrong doesn’t it ? Should be “The Art of Storytelling”, well not entirely correct. As much we seem to think that storytelling is an art applied by few gifted people to fascinate, shock and entertain the rest of us, that conclusion is only 50% true. Human being are emotional species, emotions that are generated from our biological structure or shall I dare say DNA which is part of science, isn’t it ? Enough with rhetorical questions, let’s proceed to the main body to the heading above.

On television and films there are two main genres, Comedy and Drama. While Comedy is rather straight forward in terms of categories, Drama is a bit tricky. Drama has four more categories underneath, Drama-Thriller, Drama-Horror, Drama-Comedy and Drama-Drama. What the hell am I talking about ? I hope most of you are old enough to remember the famous Action movies from the 80’s, Yikes ! Rambo, The Terminator and sometimes Van Damme would carry a huge machine gun and destroy their enemies in piles and piles of bodies. After sometime, well … NOBODY CARED. Today we have Jack Bauer with one hand gun and a flash light in the dark warehouse trying to shoot one enemy and that gets us all on the edge of our seats. Why ? Why ? Why ? As I quote an Arch Nemesis from the Bond’s movie Tomorrow Never Dies, the root of the great story is not who, what, where, it’s why ? Why do we care about Jack Bauer with his one gun but we didn’t care about the bloody movies of the 80’s where Rambo would terminated 100s of enemies with his machine gun. Any clues ? If you guessed it’s because we can’t make out what Rambo actually says, you are not entirely correct (that’s part of it). 24 is the classic example of Drama-Thriller, the tone of the show is very monotonous and nothing exciting happens during the build up. The monotonous tone tone is also accompanied by structural dialogue which is perfect for a nice build up. So to get any reaction after such a build up is fairly easy, all it takes is the guy with a gun and a flash light in a dark alley. At that point the intensity is so high that any form of action would raise you temperature and make your brain work overtime while you chock your popcorn. Be careful, lol.

Drama-Thriller (which is in fact my kind of Drama) always starts with a bang. Each scenes starts with something, well thrilling of course. Either it’s an intense sexual tension, a man catching his wife in bed with another man (or woman), cops coming through the door shooting, intense interrogation, whatever it is would be thrilling. And that’s done purposely to grab your attention quickly as if slapping you to wake up from your miserable life and enjoy the show. The intensity will sharply then slow down, and the scene would be somewhat mundane in the middle as we try to figure out what happened. And then it will go back to being thrilling again before we go to commercial. Here is an example: Scenes begins with detective arriving at the scene, there is a body on the floor. As we cut back to the detective, her reactions show disturbance. As we scan the room through her point of view, we see broken chairs and table which let’s us know that there was an ugly struggle before the event. Then the detective makes a comment about a broken watch on another detective’s hand. She says something witty like, “Someone needs to stop drinking” to which he may reply something mundane or even cliche, “Look who’s talking”. Hey one thing i know about cliches, avoid them like plague. Okay back to our story, as the detective examines the man on the floor, she discovers a bill for Hooters in his back pocket. She scans for an address of the joint at the bottom of the receipt. She gets up quickly, the other detective follows her in a rush. They cross across the street, draw the guns, why ? why ?why you may ask … They get in a building … The sign says “Hooters”. Christ. Not as compelling but hey you get the point. I know an average person remembers only 7% of what it’s been conveyed to them at any point and time, so if you forget everything remember this. You wanna tell someone thrilling story, here is a structure. You thrill them to get their attention, then you put all the details in the middle. And finish with the thrill. So open the door to your office and say, “I just saw someone hit by a car”. I guarantee your co-workers attention (unless they are made of stone).  Tell your boring details of how you woke up this morning and left your apartment blah blah blah. The attention will still be there since they wanna know the ending that you just teased them with. Then finish up with describing how awful and gory it was and how you felt afterwards. AWWWWWW. So next time your getting you fix of  Lost, 24, CSI or movies like I am Legend watch out for these tricks. I would like to credit Nick Anderson, CSA for his views towards this subject.

Women; Nintendo’s Honest Attempt

Monday, June 2nd, 2008

It’s the first time that I’ve personally seen video games targeted NOT at men, teenagers, little boys, or even little girls.  But to women in there 20’s.

To promote the Nintento DS, there are three commercials running with  three different female spokespersons: Carrie Underwood, America Ferrera, and Liv Tyler. All very well known and the target would find it easy to relate to these women. The commercials show them in a “behind the scenes” atmosphere. And honestly these commercials got me to stop, pay attention and I even went to the website plugged at the end: www.IPlayForMe.com

The website also features more info on the three women, as well as Nintento DS capabilities and video game suggestions.  I applaud you Nintendo, and the agency Vital Marketing, for making an honest attempt  to speak to women about videogames, without  being stereotypical and using Barbie or Shopping.

Check out the commercials if you like at:

http://youtube.com/watch?v=k6IgsKBX6V4

http://youtube.com/watch?v=XeO8N6X1yoE&feature=related

http://youtube.com/watch?v=1L_BuzqN8jw&feature=related

The future of advertising is digital

Friday, March 28th, 2008

As part of a panel discussion I took part in 2 weeks ago at the Multicultural Media Expo in Los Angeles, CA, I was asked to provide my perspective on how clients, agencies and media are responding to the demand for digital. That’s obviously a broad topic that can be interpreted many ways. For my part, I decided to look to the future and expound on what I think is happening in advertising and what our industry will look like in the next few years.

My answer is that advertising will be digital-centric. 

So you may ask, what do I mean by “digital-centric?” Basically, I anticipate a future where interactive agencies and digital media are at the center of the advertising and marketing services industry. In fact, this vision is not far off and in many industries this shift is already starting to occur. During my presentation I referenced the groundbreaking decision by Ikea UK in February 2007 to select Agency.com (an interactive agency) as it’s lead agency.

As more recent proof of this growing trend, a recent article in the New York Times reported that Pepsi’s new zero calorie beverage Tava will be launching online only. The Times described this as a “non-conventional” approach. The reality is that this will be the norm for more and more brands and marketers.

Hispanic agencies and online…

Friday, February 15th, 2008

So I was interviewing another candidate for a position at Sensis today that is currently working at a Hispanic ad agency. I would say that about 2/3 of the candidates we interview for Account, Creative, Media and administrative positions are either currently working at a Hispanic ad agency or previously worked at one. This is not particularly interesting…

What is interesting is the fact that when asked about their interactive experience, all of these candidates tell me the same thing – “we don’t really do online at ‘XYZ and Asociados’” I hear the same thing regardless of whether they work(ed) at a large Hispanic ad agency or a small one. Even more interesting is hearing how online projects/campaigns are handled when these agencies have to execute an interactive campaign. Most outsource creative and development. Some even outsource media… to publishers! Some even have their IT staff build Web sites or banners…

Most disconcerting of all, is hearing how online is an afterthought and not integral to campaigns at these agencies.

I wonder why general market interactive agencies are increasingly managing Hispanic online creative and media programs?

The Battle Cry of Generation Y

Thursday, February 7th, 2008

I’m looking around a table of 18-to-24-year-olds who are taking deliberate and slightly self-conscious turns talking about themselves. They blurt out highly personal details about their family upbringing, educational background, career aspirations, and even sexual proclivities. This, despite the fact that none of them has ever met before or has any real clue as to why they’ve committed to taking four hours out of their lives to come have this discussion in the first place. A spreadsheet in front of me reveals how much money each of them makes in a year, if they live at home with the folks or rent, and if they currently hold a job, attend school or do both. Notwithstanding all this data, I can’t quite figure any of them out. But then a young woman named Maria interjects with blunt force contempt. “I think it’s incredibly annoying when I can’t reach someone on his cell phone,” she declares. “I always want an answer now.”

Right then and there, everything stops. I lean forward in my chair and listen more closely, because she’s touched upon something that’s of particular interest to me. I’ve been anxious to hear the group’s reaction for the past hour, if only they had the knowledge that I was even present, watching and listening. You see, I’ve been sitting in a dark room behind a two-way mirror; patiently waiting for any personal revelations that may help my client better understand these individuals. I’m currently in the midst of what is known in my business as a consumer focus group study. And I’m getting paid to help a telecom giant do a better job of selling instant communications goods and services to this young adult demographic.

Until Maria spoke up, I was having a tough time paying attention, not for lack of interest, but because I was feeling overwhelmed by my assignment. I’m not that far removed in outlook from those now under my scrutiny, yet it feels incredibly futile to even pretend to be the one who can synthesize an entire generation’s point of view into a comprehensively bulleted Power Point presentation, to be distilled into a strategic marketing plan, that begets a thoroughly creative advertising campaign, whose irresistible charms persuade all 18-to-24-year-olds across the country to plunk down an extra 50 bucks a month for a thoroughly confusing bundle of telecommunications goods and services. Why go through the trouble? They’re going to switch carriers the second they discover the hidden charges. So Maria’s words leap out not just because they mirror my own sudden impatience with the task at hand, but because they’re precisely the reason why my client’s wares are so salable to this group and, I hate to admit it, myself. Our generation is cognitively fixated on the here and now.

To put it simply, we don’t like to wait. If we have a desired end in mind, we want it fast. So we reflexively grab the cell phone. Click on the mouse. Push a few buttons. Anything to make it happen. Instantly. And if we can’t get it, we can always change the channel. Why wait? I catch occasional glimpses of the Iraq War on TV. New attacks. More casualties. No clear deadline. To be perfectly blunt, it’s too slow. The Iraq War Movie In My Mind should have rolled credits by now—it’s time to go home to sleep. I realize it’s an outrageous thing to say, since many people my age and younger are dying an untimely death. But I’m far away from the struggle and also have a telecom giant to please, so it’s easier to tune the news out and focus on the present. According to folks in Washington, that’s what I’m supposed to do, correct? Go about my daily business just like any other day. If nothing else, to grease the wheels of the economy that’s underwriting the war in the first place. Plus I have student loans, car payments and high-tech purchases to keep up with. In short, immediate financial pursuits seem far more relevant to me than World Peace. The latter is better left to the Powers That Be.

It’s certainly selfish of me to think like this. But for those of us reared on the creature comforts of instant gratification—cell phones, the Internet, Viagra, BlackBerrys, iPods, and TiVo—some of the very technologies that my client, that generations above mine, directly or indirectly created and continuously profit from, it’s tough not to be focused on personal wants. These media completely redefine our conceptions of time and space, the repercussions of which go far beyond the simple convenience of downloading our favorite song in a heartbeat. Communications technologies have fast created a young adult culture driven by desire on demand. No matter the whim, there’s a button we can push that will satisfy it faster and with less effort expended than ever before. Why take the time to read a newspaper when CNN is always available? Never mind the fact I’m behind the wheel of an SUV, hurtling down a residential street at 65 mph, I need one of my hands to make a cell phone call—now. Who’s the honey on the cover of Maxim? I’ll Google some pics of her bosom in a blink. It’s all about me. The power of me. To point, click and do. To get what I want, whenever and however I want it; and to have others never stop working for me. It’s the reason I see, want, purchase, discard and replace things so quickly. Whether it’s a news story from across the globe or a Nintendo Wii at the local Best Buy. I just need the latest and greatest. Don’t bore me with anything else. A balanced federal budget? Who cares? The only deficit my generation suffers from is attention. And the easiest way to address it is by providing an endless supply of readily available information for instantaneous consumption. So whether by presidential decree or technological nurture, it’s virtually impossible for me to delay gratification and think in the long term.

It would be tougher to follow this thought pattern if current economic conditions weren’t so conducive to it. The economy remains so strong, our mortgage crisis notwithstanding, that life in the good ol’ U.S.A. remains pretty much unchanged for most of us young adults. You’d be hard pressed to find any city in the nation directly affected by the war—no mandatory nighttime blackouts, air raid drills or factory work as in wars of yore. The wars in Iraq and Afghanistan are happening now, but they’re far away, in a desert on the other side of the world. And if you’re not a resident of a state that’s affected by a major hurricane, flood or tornado, those disasters might as well be a hemisphere away too. Television and the Internet may bring events like these “closer” to us than ever before, but they also give us the option to tune them out with Entertainment Tonight and Survivor at the push of a button. If we can’t actually perceive the adverse effects of wars and disasters in our daily lives, why dwell on them via the TV or Web? (Especially when it’s so easy to flip the switch.) Out of sight, out of mind. It’s both the triumph and tragedy of a country as robust as ours. We can launch a major conflict across the globe and feel nary a ripple on our shores. Sure we could be more conscientious, but boy is it hard when life’s so comfy at home. We have the luxury of focusing on the trivial. Forget wars and floods, we like Dancing with the Stars because it’s not the least bit demanding. Ditto for American Idol. Paris Hilton. And MTV. Given the choice, we’ll easily take the path of least resistance. And that’s exactly what our mighty technology-driven economy affords us: the power to take it easy.

So as I sit here watching the focus group unanimously agree with Maria’s unwillingness to accept an unanswered cell phone call, I’m afraid I have to concur. Even as I realize that this consensus betrays our absolute surrender to the advantages of information technology. We are children of privilege; the economic and technological privilege that spares us the rod of harsh reality while spoiling our every desultory whim. On second thought, it won’t be so hard to sell others on the benefits of advanced telephony, Internet and cable. I just found the urge.

I can’t wait.

Javier San Miguel, Senior Copywriter, Web Content Editor

Search engines are everywhere…

Friday, January 25th, 2008

We all should know this already, but if you’re in the online marketing or Web development business, you always need to think about search engines (specifically Google and Yahoo!).
 
I was reminded of this very important aspect of our business twice this week. The first time was during a meeting with the creatives working on the new version of our agency Web site (www.sensisagency.com). The site concept that we were presented was amazing – but unfortunately it was not optimized for search engines  (including the site map and copy). We had a long, very productive meeting where we balanced site design, layout, copy, UI, business goals, user goals, and search engine research and optimization. Although we had to make some tough decisions regarding design, ultimately we came up with strong solution to met our aesthetic goals while keeping in mind the perspective of those little spiders and bots over at Google and Yahoo!.
 
As I started reading this week’s Ad Age, I noticed a lead story in the Digital section on JC Penney and how their recent blogging strategy scored big points with Google, which ultimately lead to significant traffic increases. Linking, and specifically deep linking, are key components of driving organic search rankings. JC Penney leveraged this basic yet powerful SEO concept by aggregating content from blogs on their main Web site.
 
These two examples reinforced a shift we began to make at Sensis towards incorporating SEO concepts and the perspective of search engines in everything we do, whether it’s an online media campaign or a new client Web site.
 
I’ve started to think about the possibility of including Search Engines as a target audience in our strategic planning and building “personas” around “their” perspective. More to come on this crazy idea…

McGiver.com

Tuesday, November 6th, 2007

What happens when you work in an interactive company, you craving for tuna… but there is no can opener?

You go online, of course!

That’s what happened to me today so a few clicks later I found my answer.

But this little tutorial presented a dilemma: metal knifes don’t abound in interactive agencies (maybe to avoid those midnight suicidal urges). But creativity is aplenty here! So a few easy-to-find-in-an-office items and a little patience soon paid off. My Trader Joe’s tuna was awesome!!!

Hungry no more!

Thanks to Alex, Patricia and all those who made it possible.

What does Sensis’ DNA look like?

Tuesday, November 6th, 2007

I recently had the chance to attend a workshop at an advertising conference on what search consultants are looking for during ad agency reviews they manage. As some of you may or may not know, search consultants are often critical “gatekeepers” who make recommendations to their clients (major advertisers) on what agencies to invite to reviews. They also play a key role in the selection of the winning agency. Needless to say, they are important.

Anyways, as the search consultants went through their presentation, they stopped and spent some time talking about how important an agency’s “DNA” is in the evaluation process. They said that they often stop and ask themselves, with their clients, “what is this agency’s DNA?” Follow-on questions like what is this agency’s core area of strength often come up.

This got me thinking, and brainstorming, about how I would describe Sensis’ DNA. Here are some of my thoughts, in stream of consciousness format of course!:

-Digital, Interactive

-  Strategy and Analytics

- Online media

- Fun, politically incorrect

- bicultural, multicultural

I’d love to see some comments on how you all would define our DNA?